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Showing posts with label World Trade Center. Show all posts
Showing posts with label World Trade Center. Show all posts
On 9/11/2001, a town of 13,000 people in a Canadian town called Gander took in 6,700 stranded airline passengers. They opened their homes and hearts to complete strangers, in their most painful hour. That's what Canada does.
Jocelyn Brooks, shown in 1998, worked at the World Trade Center for an investment bank. (Jocelyn Brooks)
Jocelyn Brooks had escaped the World Trade Center — through 40 desperate stories of stairs, thick black smoke and dismembered body parts — when she looked toward the clear sky and realized she made it out alive.
People trapped inside New York City’s twin towers after the terrorist attacks of Sept. 11, 2001, were jumping from windows, trying to flee the greedy flames and instead falling to their deaths. In a clarifying moment, Brooks had two thoughts: She needed to watch her two children become adults, and she needed to pursue her childhood dream of working in medicine.
Surviving seemed like the hand of fate, she said, and she wasn’t going to waste it.
“I must become a nurse,” Brooks recalled thinking. “I’m getting a chance, and I am going to do it.”
It took about a decade of determination, but Brooks eventually graduated from nursing school and now works as a clinical nurse at a cancer center. She said surviving 9/11 guided her toward her purpose, following in the footsteps of her mother, who helped her and her 11 siblings when they were sick as children.
“I want to hold somebody’s hands when they’re crying and when they’re at their lowest because I survived,” Brooks, 61, told The Washington Post. “I walked out of that building. It could’ve been different. I am healthy, and I am thankful, and I will continue to have an attitude of gratitude.”
Jocelyn Brooks fulfilled her childhood dream when she started working as a nurse in 2012. (Jocelyn Brooks)
Growing up, Brooks said, her family couldn’t afford health care in Trinidad and Tobago, so her mother, Irene Woods, served as their makeshift doctor. She made tea with herbs to help with fevers and applied antiseptics to wounds. Brooks served as her mom’s assistant, sitting by her to hand her scissors, tape, gauze and rubbing alcohol.
That sparked Brooks’s interest in medicine, but when she moved to Brooklyn in 1986, she couldn’t afford medical school. She began working for an investment bank as a research assistant.
She still dreamed of working in medicine one day. Brooks’s children, Zyxmaa Niles and Randy Brooks, called her “Red Cross” because she always was helping others. Niles drew her mom wearing a white and red nursing cap in the mid-1990s — a drawing Brooks hung at her cubicle.
But with a steady job and children to raise, Brooks didn’t make immediate plans to attend nursing school until after 9/11.
Irene Woods, left, and Jocelyn Brooks in New York in the 1990s. (Jocelyn Brooks)
About an hour after arriving at her cubicle on the North Tower’s 40th floor that morning, Brooks heard a loud crash and the building shook. Debris fell outside a window. She recalled turning to a colleague and saying “This is it,” thinking she was about to die.
Brooks left her backpack, wallet and cellphone behind as she ran to the staircase, which was overcrowded with people descending and firefighters ascending. One woman stopped and shouted “I can’t breathe,” Brooks said, so Brooks thumped on her chest for about a minute and told her “breathe” until she calmed down.
Brooks saw dead bodies in the promenade between the towers before watching people leap from windows. Nearly 3,000 people died in the attacks. Brooks escaped the area by running on the West Side Highway before riding the subway to her sister’s house in Brooklyn. She spent the rest of the day connecting with family members who didn’t know if she had survived.
In the following years, speeding cars and the sound of sirens reminded Brooks of the panic of that day. But those moments also made her reflect.
“I took a long look at my life, and I said, ‘What if I had not lived?’” Brooks said. “I would not have gotten a chance to really follow my dreams.”
Brooks earned a bachelor’s degree in psychology from Long Island University in 2004. When a bank took over the investment bank Brooks worked at in 2008, she saw the turnover as an opportunity to leave and return to Long Island University for a nursing degree.
Her boss told her to consider her decision to leave for two weeks, Brooks said, but Brooks had long known what she wanted.
Jocelyn Brooks is still working as a nurse at 61. (Jocelyn Brooks)
Brooks began working as a nurse after she graduated in 2012. She has enjoyed sitting with patients who don’t have family in the area. She recalled telling one patient a few years ago: “I know your mom is not here today, but remember, you’re not alone. I’m here.” She said watching her patients’ health improve is “so rewarding.”
Since she started working at New York’s Memorial Sloan Kettering Cancer Center in 2018, Brooks has traded stories with patients who have developed cancer as a result of inhaling toxins at the World Trade Center during or after the attacks.
“She just has such a gentle, caring way about her that I’ve never seen in any other nurse,” said Brooks’s colleague, Rachel Lemmey.
On busy mornings when many nurses are overwhelmed, Lemmey said, Brooks is enthusiastic and gives a pep talk that Lemmey recites back to herself.
“We’re going to get through the day together,” Brooks said she tells her colleagues. “And it’s going to be a great day.”
TIME Magazine has posted a ridiculously cool interactive panorama photo
taken from above the World Trade Center. Using your cursor and the
on-screen controls, you can spin around in all directions and zoom in on
midtown, Brooklyn, New Jersey, even the Statue of Liberty. I'm finding
it works best on Chrome so far. There goes the next hour of your
evening.
Time said it got exclusive
access to the tower's spire from the Port Authority of New York and New
Jersey, which owns the site. It took eight months to design and
construct a 13-foot rotating arm to which a camera with a 100-millimeter
lens was mounted, the magazine said on its website. It worked on the
project with Portland, Ore.-based GigaPan Systems, mechanical engineers
and welders. "Over a five-hour span of orbital shooting on Sept. 28,
2013, the camera produced 567 pictures that were then stitched together
digitally into a single massive — and zoomable — image of everything the
eye can see in all directions," according to the website. According to
GigaPan, its panoramic photography equipment is based on the same
technology employed by NASA's Mars rovers to capture the images of the
red planet. The panoramic image also is featured as a wrap-around cover
of Time's issue hitting newsstand Friday. The issue includes an article
about the 12-year construction of the building, formerly called the
Freedom Tower.
The Top of America
After 12 years of anticipation, the
tallest skyscraper in the Western Hemisphere is ready for its close-up.
How 10,000 workers lifted 104 floors, gave new life to an international
symbol and created one spectacular view
Story by Josh Sanburn Introduction by Richard Lacayo
For years after the 9/11 attacks, nearly all the activity at Ground
Zero was downward—digging through the piles of debris, excavating a vast
pit to restore the ruined transit lines, preparing the foundations for
the new buildings that would emerge there. Even the memorial that opened
in 2011 was an exercise in the poetics of descent—two vast cubic voids,
each with water cascading down all four sides, carrying grief to some
underground resting place.
The memorial has turned out to be a lovely thing, but what the site
still needed was something that climbed, something that spoke to the
idea that emotional burdens might not only be lowered into the ground
but also released into the air. Now we have it: One World Trade Center,
the glass-and-steel exclamation point, all 1,776 feet of it, is nearing
completion close to where the Twin Towers once stood. No doubt the new
building’s official dedication will open the way to a necessary debate
over its merits as architecture and urbanism, its turbulent design
history and the compromises made over the long years it took to get the
thing built. But in one important respect, One World Trade Center has
already succeeded. It has reclaimed the sky. And this is the view from
there.
A View Reborn
Photograph
by Jonathan D. Woods and Michael Franz for TIME; Stitching: Gavin D.
Farrell; Compositing: Meghan P. Farrell; Color: Claudio Palmisano/10b
Kevin
Murphy says he has the best office in America, and I’m not arguing, not
here, 1,250 ft. above New York City, from a vantage point so high that
the Statue of Liberty looks like a toy and the Brooklyn Bridge seems so
small and close, we could reach down and scoop it out of the East River.
Not when lower Manhattan, once as quiet as a Quaker meeting, hums like a
well-oiled engine more than 100 stories below our feet.
Murphy works at the top of a building that is so much more than four
walls and a roof: One World Trade Center is a statement of hope and
defiance written in steel and glass, a marvel of persistence, a miracle
of logistics. It is the tangible expression of a people forced quite
literally to dig deep for new footings after an unspeakable blow, and
there were many dark moments when it was hard to believe that anyone
would stand here again.
“I’m like everybody else, looking at this place in amazement,” says
Murphy, who leads the team of ironworkers that has pieced together the
skeleton of this skyscraper. “This is going to define New York.”
Kevin Murphy, head of 1 WTC’s ironworkersShaul Schwarz for TIME
For the past 12 years, it sometimes seemed as if New York’s defining
feature would be a 16-acre gash that wouldn’t heal. Tangled in political
power struggles and red tape, the site cleared by the terrorist attacks
on Sept. 11, 2001, long ago lost any luster of post-9/11 unity. Nine
governors, two mayors, multiple architects, a headstrong developer,
thousands of victims’ families and tens of thousands of neighborhood
residents fought over this tiny patch of real estate as if every clod
were holy and every windswept acre held the fate of the Western world.
Progress came in fits and starts. A forced marriage between two
architects with divergent ideas for the building — the site’s master
planner, Daniel Libeskind, and David Childs, 1 WTC’s lead architect —
slowed the pace. Three years passed after 9/11 before the symbolic
cornerstone signaling the beginning of construction was laid. Two more
went by before a design for the memorial was finalized. All the while, 1
WTC, the only building on the site that would reach the heights of the
Twin Towers, was little more than a gaping hole in the ground. As the
years passed and the delays mounted, it was impossible not to wonder,
What’s taking so long? And worse, Have we lost the capacity to rebuild?
The answer, in part, was just beneath the surface: 10,000 workers
attempting one of the most complicated construction projects ever in one
of the most densely populated places on the planet. The design, almost
entirely Childs’, called for a 104-story tower that includes a
bomb-resistant 20-story base set on 70-ton shafts of steel and pilings
sunk some 200 ft. into the earth. This unseen subterranean structure
would support 48,000 tons of steel — the equivalent of 22,500 full-size
cars — and almost 13,000 exterior glass panels sheathing a concrete core
crowned by a 408-ft. spire whose beacon would glow at the symbolic
height of 1,776 ft. (eclipsing Chicago’s Willis Tower as the tallest
building in the western hemisphere). The structure includes enough
concrete to lay a sidewalk from Manhattan to Chicago. And that was just
one part of a 16-acre project that was the equivalent of building five
Empire State Buildings on a plot of land the size of a suburban shopping
mall — while tens of thousands of commuters traveled under the work
zone each day. 1 WTC is a marvel of persistence. But there were many moments when it was hard to believe anyone would stand here againBut
the long wait was also the result of a nearly impossible mandate: One
World Trade Center needed to be a public response to 9/11 while
providing valuable commercial real estate for its private owners, to be
open to its neighbors yet safe for its occupants. It needed to
acknowledge the tragedy from which it was born while serving as a
triumphant affirmation of the nation’s resilience in the face of it.
“It was meant to be all things to all people,” says Christopher Ward,
who helped manage the rebuilding as executive director of the Port
Authority of New York and New Jersey. “It was going to answer every
question that it raised. Was it an answer to the terrorists? Was the
market back? Was New York going to be strong? That’s what was really
holding up progress.”
Almost 13 years later, many of those questions remain unanswered. The
market has roared and slumbered, though financial firms have returned
to lower Manhattan and the surrounding neighborhoods are buzzing with
energy. The nation remains on perpetual terrorism alert, though this
fact no longer hampers us from going about our daily lives. But at least
one answer is known. While 1 WTC may not be all things to all people,
its completion signals that America’s brawny, soaring ambition — the
drive that sent pioneers west, launched rockets to the moon and led us
to build steel-and-glass towers that pierced the clouds — is intact.
Reaching 1,776 ft. has ensured it.
Getting there, says Childs, has been “the most complicated
manufacturing event which is never to be repeated. I mean, it’s a
onetime event.”
Building Down to Build Up
One World Trade Center shares its 16-acre site with other massive
projects built at more or less the same time: the transportation hub,
which links a series of underground trains that need to operate as work
goes on around and above them; a subterranean vehicle-security center,
atop which a park and church will eventually sit; the 9/11 Memorial,
designed to be the site’s central gathering point while doubling as the
roof of the vast belowground 9/11 Museum; and three other large office
buildings.
In response to its crowded neighborhood, Childs believed 1 WTC needed
to be distinctive and concise — as if the site’s complexity called for
the opposite in the design of its landmark building. “Ask an 8-year-old
who spent her spring vacation in Washington to draw something she
remembers,” he says. “She can get the Washington Monument dead right.
There’s something powerful about that, at the heart of the city,
organizing it all.”
The building’s exterior is made up of eight isosceles triangles, and
as it rises, it morphs from a square into an octagon and then into
another square, turned 45 degrees from the first. It gives the
appearance of twisting, with the glass triangles meeting in the sky.
“This has a clear, logical, geometrical ending to it all,” Childs says.
But before anyone could think of reaching that ending, it was
necessary to build down into the thick bedrock that underlies Manhattan
to plant the structures that would support the 3.5 million-sq.-ft.
tower. Construction began on April 27, 2006 — four years and 228 days
after the 9/11 attacks. The early work was time-consuming and
labor-intensive. One challenge was to build around the PATH train, a
major artery linking New York to New Jersey, without disturbing the
infrastructure. The solution, requiring 18 months of planning, was to
proceed by hand, without heavy machinery. “You had people down there
with picks and shovels and mini-excavators, maybe digging a foot a
night,” says Dan Tishman, chairman of Tishman Construction, which
manages construction at the site. “It was a surgical approach.”
The 16 acres around Ground Zero were
mired in years of construction delays, as seen in these photos (from
left) from 2004, 2008 and 2011. Legal wrangling, optimistic scheduling
and the sheer magnitude of the project all contributed to the site
appearing virtually unchanged seven years after the 9/11 attacks.
Throughout 2006, workers beat and battered the earth, using precisely
calibrated explosives to make room for 27 steel columns and a series of
massive concrete footings that reached more than 200 ft. below street
level. As they dug into the ground, the crew often came across reminders
of why they were there.
“Literally the first thing — and I don’t exaggerate by saying the
first thing — we were digging and we found human remains that were
missed,” recalls Steve Plate, the Port Authority’s director of
construction for the site. The remains had been hidden for almost five
years, packed inside buried sewer pipes by the force of the collapsing
towers. Over the years, some workers found shoes. Others unearthed
wallets. Medical examiners became a regular presence on the site,
sifting through debris and isolating material that appeared to contain
human DNA. In the early days of excavation, such grim discoveries
happened almost daily. Many workers couldn’t escape 9/11. In the rebuilding effort’s early days, they discovered remains almost dailyOther
findings were less somber. Timber, struck when workers were digging the
foundation of the vehicle-security center, turned out to be an 18th
century boat that had been encased in landfill when that part of lower
Manhattan was developed in the 1800s. The Hudson River once flowed
through the site, and the area that became the original World Trade
Center had been a slip. Archaeologists couldn’t identify the ship’s
origins, but they did find a clue to its provenance: a button from a
British soldier’s Revolutionary War coat. Other discoveries included
cattle bones from a 19th century slaughterhouse and a 40-ft. pothole
about 110 ft. below sea level, which geologists determined was carved
some 20,000 years ago by glaciers that had picked up shale and sandstone
from the Palisades in what is now New Jersey. The ice-age terrain had
to be filled in with concrete, covered or blasted away to ensure a level
foundation for 4 World Trade Center.
As the crew toiled underground, 805 tons of steel was being produced
at a Luxembourg plant known for creating the heaviest I-beams in the
world. Once they reached the U.S., the 30-to-56-ft. slabs were
strengthened with steel plates that increased their weight to 70 tons
each. By the end of 2007, workers had placed a ring of steel columns
around the perimeter of 1 WTC. By then, the massive concrete footings
and foundation were nearly done. But to passersby on the street, the
site appeared unchanged.
“The thing that most frustrated me in the early years was when people
would say, ‘They’re not doing anything,’” says Marc Becker, Tishman’s
deputy general superintendent. “No one knew the magnitude of the
below-grade structure.”
As executive director of the Port Authority, Chris Ward made clear that 1 WTC’s schedules and budgets were unrealistic.AP
Below street level sits a formidable building in its own right. The
500,000-sq.-ft. structure supporting 1 WTC is one-third the size of the
1,046-ft. Chrysler Building, which gleams in Art Deco splendor over
midtown Manhattan, and it required 45,000 cu. yd. of concrete. A typical
New York City skyscraper takes about four years to build. Construction
on 1 WTC had barely reached street level in that time span. “I was
effectively handed a pit where the symbolic ramp to the bottom still
existed,” says Ward, the former Port Authority director, who took over
the agency in 2008. “There had been some foundation work, but it was
largely visually unchanged for almost seven years.”
Weeks into his tenure, Ward said publicly what many close to the
project had been grumbling about privately: the existing schedules and
budgets were a fantasy. He said the real cost of 1 WTC, estimated at
$1.5 billion when the design was unveiled in 2005, would be more like
$3.1 billion. (The price tag was revised again, to $3.9 billion.) Ward
dissolved a contract that failed to hold construction firms to a maximum
price, and he extended the workday.
Ward’s changes eased the gridlock, and after two years of slouching
toward street level, construction quickened. By 2009, workers had begun
prepping the site for the 24 gigantic steel supercolumns that form the
aboveground base of the tower. Building down was over. It was time to
head up.
The Climb
It takes an army of tradespeople to build a structure like 1 WTC —
window installers, laborers, electricians, concrete pourers and
carpenters among them. But it is the ironworkers who assemble the
building with their gloved hands and sure feet, beam by beam, higher and
higher, like a giant Tinkertoy.
The job tends to be a family affair. Many of the 1 WTC ironworkers
have relatives who helped build the Twin Towers in the late 1960s and
early ’70s. Murphy’s dad was one of them, a mentor to many of the
ironworkers who erected 1 WTC. Crane operator Danny Dunn’s cousin helped
put up the north tower’s antenna. An accident during construction on
nearby 7 World Trade Center in the mid-1980s paralyzed the father of
ironworker Michael O’Reilly.
Skyscraper construction is part brute strength, part delicate dance.
It starts with a raising gang, which lifts a piece of steel from street
level using cranes weighing upwards of 250 tons each. Signalmen guide
the pieces toward connectors, who bolt them together while balancing on
nearby beams. Dangling in the breeze, the steel can wobble and shake as
the crew guides it into position. The trickiest fits sometimes require
workers to lie down on adjacent beams, balancing far above the street,
often on a slab less than a foot wide.
“Everything we do, everything we deal with, is heavy,” says O’Reilly.
“The entire day is a struggle, and your body gets beat down. It’s like
being in the NFL. Every muscle aches. When you get home, you’re shot.”
It didn’t help that some ironworkers labored seven days a week, 10 hours
a day, to maintain the pace of construction. Many worked 50 days
straight.
As the steel structure neared the height of the former towers, the
workers realized they were the first people to see that view since 9/11.
“We think about it,” Murphy says. “You can’t help but think about it.
You see the families. You see the memorial. A lot of us worked at the
cleanup. We’re constantly reminded of what we’re doing down here.”
In the midst of such dangerous labor, however, giving in to the
emotional weight was too risky. Signalman John Collins says that if he
thought about anything but the work, “I could kill them all. You got to
worry about yourself and others. Mostly others.”
From left, 1 WTC ironworkers Michael O’Reilly, Kevin Scally and Thomas HickeyShaul Schwarz for TIME
No workers have died on this job, but there have been injuries.
Thomas Hickey, a steel connector whose father worked on the Twin Towers,
tore a triceps and tendon in his right elbow after slamming his arm on
some steel lugs. The damage landed the heavily tattooed amateur boxer a
desk job and a new nickname: Iceman. His modified duties included
fetching the 800 lb. of ice that filled the coolers of his fellow
ironworkers each week during the summer. “You really put your life on
the line every day,” he says. “It’s considered your sport.”
Other hazards stalked the site. The average glass panel in the
exterior curtain walls of 1 WTC is 5 ft. wide and 13 ft. tall and weighs
about 1,200 lb. “These gigantic panels act like a sail” in the swirling
winds around the tower’s upper floors, says Robyn Ryan, project manager
for Benson Industries, which installed the windows. “So you try to hold
on to them with wire. But if the wind is too high, it’s just too
dangerous.”
The seasons provided a different challenge. In the harsh sun of
summer, the steel beams the ironworkers needed to sit on and maneuver by
hand could reach temperatures that workers say were hot enough to singe
their skin. Not that the cold was any better. “Winters really put a
beating on you,” says Jorge Fernandez, an assistant foreman for the
laborers who clean and maintain the site. “But we have a saying: ‘The
heat’s in the tools.’ The more you work, the less cold you’ll be.”
Nothing could prepare the crew for the superstorm that gathered in
the Atlantic Ocean in the fall of 2012. On Oct. 29, as Hurricane Sandy
made a hard left turn toward the rising tower, the Port Authority
scrambled to prevent the site from becoming Manhattan’s newest lake.
When the storm hit, the massive holes that workers had spent years
digging turned into street-level cataracts. “Niagara Falls is probably
an exaggeration,” recalls Plate, the Port Authority’s director of
construction. “But there was something of a rapids penetrating the
site.”
When it was over, 125 million gal. of water had flooded the area. The
damage came to $185 million, but it was almost entirely underground.
The tower that thousands of workers had spent years building had
survived. And in less than a week, construction was back on.
Just a few months before, 1 WTC had reached 104 stories. All that was left to do was put the crown on top.
The Final Piece
From the first
steel columns to the setting of the final piece of the spire, Kevin
Murphy has chronicled 1 World Trade Center’s construction with his cell
phone cameraCourtesy Kevin Murphy
By the end of 2012, Jim Melvin’s commute had gotten tricky. At about 5
a.m., Melvin, a crane oiler, would leave home to catch the PATH train
from New Jersey. Once he reached the site about 30 minutes later, he
took the elevator to the 64th floor, then walked to another elevator
bank that took him to the 90th. From there he rode a third elevator to
the 104th, climbed the stairs to the roof, ascended a 20-ft. ladder and
hiked nine more exterior sections to his crane. The trip from the ground
to the top of 1 WTC took as long as the one from New Jersey to the
site.
Melvin was part of the “north gang,” one of two groups that lifted 1
WTC’s final major installation: the 408-ft. spire. The first half of the
spire, which was fabricated in 18 sections, left Quebec on barges in
mid-November and arrived in lower Manhattan about a month later. The
pieces, some weighing 67 tons, were then loaded onto a specially built
21-ft.-wide truck that inched through the empty city streets in the dead
of night.
Melvin’s north gang soon began raising the spire piece by piece to
the roof, where the elements were passed to the east gang’s connectors.
Each piece was placed by hand. On May 10, both gangs cooperated in
setting the final sections more than 1,700 ft. above the city. The
beacon was draped with an American flag as the ironworkers guided it
into place.
Ironworkers on the communication rings that encircle the spire in January 2014.Shaul Schwarz for TIME
“The first thing I did the second it landed was go, ‘Aaah. Thank
God,’” Murphy, the ironworkers’ supervisor, says. “You never really know
if you’re going to have a problem. After that, I was overwhelmed like
everybody else.”
Soon Murphy’s job will be done. The tenants of One World Trade Center
are starting to build out their floors and will likely move in by the
end of the year. The ranks of the ironworkers, carpenters and laborers
who turned lower Manhattan’s most sacred pit into the world’s third
tallest building are thinning by the day. Of a crew once 10,000 strong,
only about 600 workers remain on the site.
For the past five years, Murphy has driven to America’s best office
by way of the West Side Highway, the tower he was building emerging in
the distance. On clear Manhattan mornings, the rising sun painted 1
WTC’s 12,774 mirror-like window panels in brilliant yellows and reds.
When it snowed, flakes enveloped the tower. Murphy tried to capture each
new exaltation in a cell-phone image snapped from his car’s sunroof.
“I can’t tell you how many pictures I take in the morning,” Murphy
says. Now he’s not sure what he’ll do next. Maybe take some time off.
Breathe again. But he’s certain nothing will top this. I’m not arguing,
not as we watch airplanes gliding onto ribbons of tarmac at the region’s
three major airports and not as the Empire State Building watches us
watching it and the city looks up expectantly, finally, at something
other than empty sky. “This is New York now,” Murphy says. And things
look so much clearer from here. An earlier version of this article misstated the title of Dan
Tishman. He is chairman of Tishman Construction, not vice president. http://time.com/world-trade-center/