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Showing posts with label J.R.R. Tolkien. Show all posts
Showing posts with label J.R.R. Tolkien. Show all posts

16 December 2025

‘Lord of the Rings’ Doesn’t Mean What MAGA Thinks It Does 11DEZ25

Boromir (Sean Bean) in Lord of the Rings: The Fellowship of the Ring.

 I can't tell you how many times I have read the 'Hobbit' and the 'Lord of the Rings' trilogy but I have enjoyed them each and every time. I have always considered them full of Tolkien's Christian faith influences and references of good vs evil. Now I consider the films classic Christmas movies. There was a group of friends who gathered together each year around Christmas as the movies were released, first for dinner then the theater....great memories, and so I include them in my list to watch along with 'Scrooged' ( Bill Murray's version ) , 'A Charlie Brown Christmas', 'Die Hard', 'Home Alone', 'How the Grinch Stole Christmas' ( Dr Seuss' 1966 animation ), 'A Christmas Story', National Lampoon's 'Christmas Vacation', and 'It's a Wonderful Life'. This from Sojourners...

‘Lord of the Rings’ Doesn’t Mean What MAGA Thinks It Does


When I see powerful people twist a story I love to serve their own ends, whether it’s The Lord of the Rings or the Bible, I’m reminded of why it’s so important to meditate on how God uses the foolish and weak to shame the strong.


Dec 11, 2025

This Christmas, I’m looking forward to curling up on a snowy morning with one of my favorite stories: J.R.R. Tolkien’s The Lord of the Rings. Whether in book or film, Tolkien’s high fantasy remains politically relevant and holds a prescient message for the Advent season.

But before we get to that message, we need to revisit an October social media post from billionaire Elon Musk, celebrating British anti-migration activist Tommy Robinson. Musk attempted to make this endorsement palatable by wrapping Robinson’s hateful rhetoric in a comforting metaphor: The “gentlefolk of the English shires” can be understood as equivalent to the famously meek hobbits created by Tolkien. Such innocent people, Musk argued, needed the “hard men of Gondor” to protect them. In Musk’s eyes, Robinson was acting like a hero from Gondor, swooping in to save British citizens from “illegal immigration.”

Musk isn’t alone in borrowing elements of Tolkien’s classic for political messaging. When the film adaptation of The Two Towers premiered in 2001, figures on the Right used it to galvanize support for the War on Terror. More recently, the Department of Homeland Security has posted memes using The Lord of the Rings to imply that immigration enforcement is the “great battle of our time.” Vice President JD Vance cites The Lord of the Rings as an inspiration to his political career.

Last year, my colleague J.K. Granberg-Michaelson wrote for Sojourners about the power of The Lord of the Rings to move people to action. Considering this, I’m not surprised to see the recent rise in authoritarian figures using the story for their own ends. I think those in positions of power are uniquely prone to interpret the strong, wealthy, or impressive as heroic figures.

This is all part of a wider trend of powerful people misinterpreting Tolkien’s true ideas about strength and heroism. When I see powerful people twist a story I love to serve their own ends, whether it’s The Lord of the Rings or the Bible, I’m reminded of why it’s so important to meditate on how God uses the foolish and weak to shame the strong (Luke 1:46-56; 1 Corinthians 1:27). It is not the military might of Gondor that saves the hobbits, but the overlooked hobbits who save Gondor and the entire realm of Middle-Earth. Musk gets Tolkien’s classic almost entirely backward.

Seeing such a dramatic misinterpretation in the public square almost makes me feel bad for Musk. There are few fandoms more concerned about the fine-grain details of their fictional world of choice than Tolkien fans. Any group of people who are willing to argue in forums for decades about whether a balrog has wings or not based on some odd word choices in a few paragraphs from a book that is more than 1,000 pages long are a force to be reckoned with.

The backlash was swift. In an article for WIRED, John Semley called such shallow usage of Tolkien’s work “Shire-posting,” in reference to the hobbit’s fictional homeland. To help illustrate why drawing such a lesson from Tolkien’s novels is directly contrary to their actual message, I’d like to turn to the text itself. Specifically, let’s take a look at the character arcs of Boromir and his father, Denethor, two of the supposed “hard men of Gondor.”

In The Fellowship of the Ring, a council of elves, dwarves, hobbits, and humans ponder the fate of a ring that was made by the Dark Lord Sauron to control the land which they all share, known as Middle-Earth. Boromir, who represents the human kingdom of Gondor, argues that this all-powerful ring, known as the “Ruling Ring,” should be used to protect Middle-Earth and, more specifically, the race of man. But the council ultimately decides that the “Ruling Ring” must be destroyed in the fires of Mount Doom. The council decides a fellowship of nine heroes will travel to Mount Doom to destroy this ring. Boromir joins the fellowship.

While on the journey to destroy the ring, Boromir begins to covet it. Eventually, his lust for power leads to a madness that results in his tragic demise. Despite his moment of greed, Tolkien portrays Boromir as a valiant and complicated character. Ultimately, Boromir’s death and its far-reaching consequences vividly illustrate how desiring power damages even the noblest heart.

Something similar happens to Boromir’s father, Denethor. He is the Steward of Gondor, which has long been besieged by Sauron’s armies. In desperation, Denethor consults a palantir, a magic stone that the strong-willed can use to see the future. However, Denethor doesn’t realize Sauron has corrupted the seeing stones, and his visions drive him deeper into despair. Through their strength, both father and son fall victim to pride and greed. Their moral failures cause irreparable suffering and endanger the whole quest to destroy the ring.

Clearly, Tolkien did not intend the men of Gondor to be the primary heroes of his books. And yet, The Lord of the Rings has many examples of martial valor in its pages. So to a certain extent, it makes sense that some readers would walk away convinced that Tolkien is praising the warrior ethos. If you build a highlight reel of cinematic moments from the series, it’s possible to mistake the whole thing as a war-fighting montage. 

But embracing such an interpretation is foolish. In reality, Tolkien consistently chose to elevate the weak with his writing style. As Tolkien scholar Michael D.C. Drout argues in The Tower and the Ruin, even the role of narrator is often taken by the weakest character in a scene.

Tolkien’s commitment to showcasing unexpected characters is perhaps most obvious in his portrayal of the hobbits. In the prologue, the author calls them “unobtrusive” and “sheltered” while noting that despite many years removed from the world’s troubles, they remained “curiously tough.” Throughout the narrative, the four principal hobbits are constantly being left uninvited from war councils, mocked as “children” on account of their small size, and mistaken for luggage. But these discounted characters are the true heroes of the narrative.

Take, for example, the hobbit Frodo, the one who has been tasked with carrying the ring to Mount Doom. While on his journey, Frodo is incapacitated and taken prisoner. His hobbit companion, Sam, manages to evade capture and save the ring. In order to save Frodo, Sam decides to put the ring on. Unlike Boromir, that brave but flawed man of Gondor, Sam does not give in to the temptation for power. Sam’s humility allows him to resist the temptation.

Tolkien’s dramatic flip of what heroism looks like doesn’t end with Sam taking off the ring. Discerning readers will realize that his actions happen at the very same moment as some of the grandest battles in the story are unfolding far away. The message is clear: These hobbits’ actions do more to assure the safety of all Middle-Earth than whatever happens between kings and armies.

During Advent, our beliefs about heroism are challenged. For Christians, we meditate on our conviction that the savior of the world was not born as a king or a mighty warrior, but as a poor Jew under Roman occupation. Still, some Christians wrongly attempt to portray our messiah as a hard man of Gondor—an earthly conqueror who has more in common with Christian nationalists than he does with persecuted immigrants.

Taking the men of Gondor to be the heroes of The Lord of the Rings is almost as asinine as reading Jesus’ birth story in Matthew 2 and coming away with the belief that King Herod was actually the real hero. Upon hearing the news of the messiah’s birth, the biblical narrative tells us that King Herod flies into a fit of rage: Herod interprets Jesus’ birth as messiah to be a threat to his power, and decides to kill all the boys in and around Bethlehem who were two years old or younger.

Jesus’ mother Mary seems to have always known, even before his birth, that his existence would unsettle traditional sources of power like King Herod. When the angel Gabriel tells her she will give birth to God’s son, her response is a song we now call the Magnificat. In it, Mary praises God, saying:

“He has scattered the proud in the imagination of their hearts. He has brought down the powerful from their thrones, and lifted up the lowly; he has filled the hungry with good things and sent the rich away empty” (Luke 1:51-53 NIV).

Tolkien and Mary were on the same page when it came to understanding true strength. Beyond the singing and slaying, the quiet repetition at the core of The Lord of the Rings is that power is a corrupting force, no matter whether a hero or a villain wields it.

The Lord of the Rings helps me remember to look for heroes in Bethlehem and Bag End. The core lesson of The Lord of the Rings is an echo of the radical reassessment of what’s valued in the kingdom of God, where the “last will be first, and the first will be last” (Matthew 20:16). If we read it carefully, Tolkien’s masterpiece is a reminder that a time is coming when the proud will be brought low and the humble exalted. That’s a kingdom worth waiting for.

Ethan Meyers is Sojourners’ online editorial assistant for 2025-26.

23 August 2024

‘The Lord of the Rings’ Inspires Both JD Vance and Social Justice. How? 22AUG24


Elijah Wood as Frodo Baggins in Peter Jenkins' 2001 film, The Lord of the Rings: The Fellowship of the Ring. ImageFlixPix/Almay via Reuters Connect

 THIS is a really interesting article about the different opinions and attitudes on Tolkien's The Lord Of The Rings from Sojourners. I can not help but think jd vance's opinion is more like the right wing's misinterpretations of the Bible that were used to justify slavery, segregation,  and  Jim Crow America and are being used to justify greed, bigotry, authoritarianism, violence, misogyny, and patriarchalism and I do not see any reason to even consider his opinion on Tolkien's books or the Bible worthy of discussion. I do respect jd vance's civil liberties, civil rights, and his human rights and will do what I can to protect them, it is a sad fact that he doesn't feel the same about mine, about ours......

‘The Lord of the Rings’ Inspires Both JD Vance and Social Justice. How?

That was my initial reaction when I read “How The Lord of the Rings Shaped JD Vance’s Politics: ‘A lot of my conservative worldview was influenced by Tolkien’” in Politico last month.

The works of J.R.R. Tolkien — The Lord of the Rings chief among them — have been a passion of mine since elementary school. The story of how four lowly hobbits, Frodo, Sam, Merry, and Pippin, come to change the entire course of their world’s history through their decency, courage, and stubborn perseverance still resonates as powerfully for me today as it did then. There’s a “root for the underdog” theme in Tolkien that resonates with my love of working for social justice, and explains why I’ve always been drawn to biblical figures like Moses and Mary, mother of Jesus, who came from humble beginnings and accepted God’s call to play a key role in transforming the world.

Contrary to those who think of fantasy as pure “escapism” from the world around us, I know fantasy can be a powerful tool in shaping — or at least honing — real-world beliefs. Which is why, as a lifelong fan whose politics have morphed from a pragmatic liberalism modeled on Bill Clinton in my adolescence to a worldview well to the Left of Bernie Sanders in my 40s, I get an uncomfortable feeling when I see Tolkien’s work resonate with, say, vice presidential candidates who see the world very differently.

Vance is by no means the only example: Both white supremacists and their critics have noted that it is possible to interpret the central War of the Ring in The Lord of the Rings as an allegory for a clash between predominantly white Western societies and those who racists would consider darker-hued, inferior “others.” Other readers have focused on Tolkien’s status as a traditionalist British Roman Catholic who taught at Oxford to argue that Tolkien’s work shows the importance of “traditional” conservative values. 

When Peter Jackson’s trilogy of film adaptations of The Lord of the Rings were released from 2001-2003, the U.S. was still reeling from 9/11. As the George W. Bush administration did its utmost to glue together patriotism and supporting the invasion of Iraq, here came a popular film in which “good and evil are comfortingly clear” and evil must be resisted with martial force. Both proponents and opponents of U.S. foreign policy saw the grand battles and lines like “there’s some good in this world, and it’s worth fighting for,” as reflective of the times. Then-Sen. Rick Santorum (R-Pa.), even used The Lord of the Rings as late as 2006 to endorse a continued U.S. presence in Iraq: “As the hobbits are going up Mount Doom, the Eye of Mordor is being drawn somewhere else...It’s being drawn to Iraq and it’s not being drawn to the U.S. You know what? I want to keep it on Iraq.”

Obviously, there are other ways to interpret Tolkien’s work: In an essay examining Middle Earth from a Marxist perspective, John Molyneux doesn’t shy away from the way The Lord of the Rings envisions “a totally idealized feudal society” rife with nostalgia for “the good old days,” which at best does not challenge the rigid racial, gender, and class hierarchies of Tolkien’s day. Yet Molyneux also points out that “a major constituent of Tolkien’s appeal, and what turned him into an international bestseller, was the ‘hippy’ counterculture in America in the 1960s” which embraced the story’s romantic critique of capitalism and industrialism. Tolkien’s anti-industrialism emerges in his clear reverence for the natural world, including his descriptions of life in the Shire and the tree-like Ents who save their beloved forest and prevent a corrupt wizard’s industrial war machine from spreading to the rest of the world. And while some see The Lord of the Rings as endorsing violence to stop evil, acclaimed Tolkien scholar Tom Shippey writes that the “core” of the books is the corrupting, addictive nature of power, including characters like Boromir who are seduced by the Ring because they desire “strength to defend ourselves, strength in a just cause.” These remarks echo uncomfortably for any of us who have seen the pursuit of power for ostensibly just causes in politics, foreign policy, and even the church lead to so much suffering and destruction. 

In pointing out these readings of Tolkien from various places on the political and religious spectrum, I’m not seeking to argue which one is the “true” or “correct” interpretation of his work. While some fantasy works are explicitly allegorical (Tolkien’s friend C.S. Lewis’ The Chronicles of Narnia comes to mind, in which the lion Aslan is very deliberately meant to represent Jesus), Tolkien vehemently rejected this characterization of his own works. In his preface to the second edition of The Lord of the Rings, he wrote: 

“…I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history, true or feigned, with its varied applicability to the thought and experience of readers. I think that many confuse ‘applicability’ with ‘allegory’; but the one resides in the freedom of the reader, and the other in the purposed domination of the author.” 

In other words, Vance does get to claim The Lord of the Rings, but so do I — however much we may recoil at each other’s political or religious interpretations. 

This is why I think it’s naïve to dismiss works like The Lord of the Rings, or the Star Wars films, or the Harry Potter series as mere escapism. Fantasy offers us a lens through which to step back and see reality better by first abstracting ourselves from it. And yes, at worst, the abstractions of fantasy become license to disengage from the world around us. But fantasy can also become a common reference point, a way we can connect with those with whom we may not have much else in common.

If I were ever to talk to J.D. Vance, I suspect we wouldn’t get very far talking about our respective visions of the United States’ political future. But maybe if we talked about Tolkien, I could use that connection as a way into a more substantive conversation. I might ask him how he interprets the book’s warnings about power and environmental destruction, and I in turn would need to explain why I don’t find its rigid social hierarchies compelling. I would tell him that, as a fellow Christian, I see world salvation at the hand of the humble hobbits to be an echo of Jesus’ “upside down kingdom,” where the first shall be last and the last shall be first. Or we might talk about how Gandalf’s message to Frodo that he should value mercy: “do not be eager to deal out death in judgment, for even the very wise cannot see all ends” and why that informs how I think about not just war, but the criminal justice system and the death penalty.

The Lord of the Rings may not matter to you, but it matters both to me and some people whose vision for the future I really abhor; that’s uncomfortable, but also an opportunity. Instead of ceding that field, we can engage deeply in discourse with those who bring a very different perspective to their readings of the same texts. As Christians, we often do the same thing with the Bible: When we see people using our sacred text to uphold systems of injustice, we don’t ignore it; instead, we try to explain how we see the text differently. Will these conversations necessarily change our opponents’ minds? Maybe not. But in the work to bring about a better world, we need to use all the tools we can find. And for me, fantasy can be a metaphorical (elven?) arrow in our quiver as we make the case for changing our world from the way that it is to the way that it should be.